A World View, Acoustic Ambiguity, Acoustic Anthropology, Acoustic Inkblot, Acoustic Rorschach, Active Listening, Adam Linson, Ale Hop, Alexander Mosolov, Alva Noto, Always Alive Recordings, Ambiguity, An Adventure In Apophenia, Anòmia, Anders Monrad, Andy Clark, Andy Farnell, Anne Zeitz, Annette Davidson, Annette Davison, Apophenia, Apophenia Audio, Apophenia Cloud Travel Apparatus, Apophenia Delay, Apophenia Delay Pedal, Apophenia Guitar Pedal, Apophenia Luxmorph, Apophenia Press, Appliance, Artefact, Artist, Audio Apophenia, Audio Inkblot, Audio Paredolia, Audio Phantoms, Audio Rorschach, Audiology, Auditory Inkblot, Auditory Projective Test, Auditory Rorschach, Aura Satz, Aural History, Échos Magnétiques, Barbara Ellison, Barry Burns, Belus, Ben Gillet, Black Sun Drum Korps, Boundary Condition, Buh Records, Carsten Nicolai, CCA, CCA Glasgow, Centre for Contemporary Arts, Chimerization, Chris Watson, Christina Kubisch, Christos Michalakos, Clélia Barbut, Cognitive Illusion, Confounded by Apophenia, Craig Martin, Creative Research, Creative Research into Sound Arts Practice, CRISAP, Damien Simon, Damion Searls, David Hendy, David Wesley Sutton, Delicious Audio, Die Macht der Sprache, Disinformation, Dneiprostroi, Dnieper Hydro-Electric Power Station, Dr Milo Taylor, Dr. J. Milo Taylor, Dr. Walford Bodie, Dragan Spasov, Drawing Phantoms, Dyslex, Edinburgh College of Art, Eigen+Art, Eigen-Art, Electric Wizard, Electric Wizard of the North, Electricity The Spark of Life, Electromagnetic Interference, Electromagnetic Noise, Electromagnetic Sound Art, Erik Deerly, Erminio Alekos Serpente, Ex Anima, Faster Circuits, Felicia Barr, Florian Hecker, Formulations, Francisco Lopez, Garry Taylor, Ghost in the Machine, Ghosts and Demons, Glasgow, Goldsmiths, Gordon Delap, Grid Music, GV Art, Hallucination Perspective Synthesis, Halluzination Perspektive, Halluzination Perspektive Synthese, Halluzination Synthese, Haunted Technology, Hearing Voices in the Noise, Holographic Skies, Humour in the Water Coolant, ICA, ICA London, Illusion in Speech and Language, Image Text Sound, Iron Foundry, J. Milo Taylor, Jamie Bullock, Joe Banks, Joel Cahen, John Latham, Jules Rawlinson, Julie Wolfe, Julius Meytuss, Kathryn Ashill, Kunsthalle Wien, Kunstverein Gartenhaus, La Belle Electra, Larry Sider, LCC Crisap, Le Bon Accueil, Lenin, Listening Arts Channel, Live to Air, Loco-Lab, London College of Communication, Lumisokea, LXV, Macht der Sprache, Marco Donnarumma, Mark Underwood, Mark Vernon, Mark Vernon & Barry Burns, MArtin Parker, Matt Collier, Michael Gallagher, Michel Serres, Michelle Hannah, Mike Fell, Milo Taylor, MMK Frankfurt, Mogwai, Mr. Bill, Musée des Beaux Arts, Musée des Beaux Arts de Rennes, Musical Ear, Musical Ear Syndrome, Musical Illusion, National Grid, Natural Phantoms, New Media Scotland, New Scientist, Nicholson Heal, NMC Recordings, Noise & Whispers, Offprint London, Olivia Erlanger, Owen Green, Oxford Brookes, Oxford Brookes University, Paradox, Paredolia, Patrik Lechner, Paul Whitty, Pedagogies of the Ear, Perception, Peter Nelson, Phantasmatic Audio, Phantasmatic Sound, Phantom Portraits, Phantom Sounds, Philippa Lovatt, Pier Daniel Cornacchia, Plus Electrification, Power of Language, Printed Matter, Printed Matter Chelsea, Psychoacoustics, Psychoacoustics and Sonic Illusion, Radio Phrenia, Radio Phrenia Live to Air, Radiophrenia, Radiophrenia Live-to-Air, Raster Noton, Rennes, Research Unit, Richard Coyne, Rorschach Audio, Rorschach Device, Rorschach Devices, Royal Conservatory, Ruede Hagelstein, Russell MacEwan, Sadie Coles HQ, Sain Sŵn, Sainsŵn, Sandra Pauletto, SARU, School of Sound, Sean Williams, Sensory Deception, Serpentine Gallery, Simon Waters, Sine-Wave Speech, Socialism plus Electrification, Soft Opening, Sonic Apophenia, Sonic Arts, Sonic Arts Research Unit, Sonic Illusion, Sonic Inkblot, Sonic Paredolia, Sonic Phantoms, Sonic Rorschach, Sonic Rubbish, Sonic Studies, Sonology, Sonology Education, Sound Art, Sound Artist, Sound Arts Practice, Sound Design, Sound Studies, Sounds of the Revolution, Soviet Power, Speak, Spectral Communication, Speech and Language, Stefan Goldmann, STUK, Surfing Uncertainty, Synthetic Hinge, Tate Britain, Tate Modern, Team IF, Technologized Listening, The Act of Magic, The Black Tapes, The Electric Wizard of the North, The Hague, The Inkblot Experiment, The Power of Electricity, The Power of Language, The Power of Speech, The University of Edinburgh, They Might Be Giants, Touch Records, Trickster, Trrraction, UK Sound Studies Network, Unit for Sound Practice Research, University of Brighton, University of Edinburgh, University of Glasgow, University of Huddersfield, Valie Export, Vanessa Joan Müller, Varun Nair, Venetian Veil, Vernon & Burns, Vocal Phantoms, Walford Bodie, We’re All Bats, Wellcome Trust, What is Sound Design
“Rorschach Audio” talk + “National Grid” live in Edinburgh
“What is Sound Design?” is a three-day symposium at The University of Edinburgh, 27 to 29 Nov 2013. Rather than structuring the symposium around technologies, techniques and specific disciplines, the symposium categorises sounds in terms of duration. Day 1 explores sound on a micro-level, from samples to seconds. Day 2 moves from seconds to scenes. Day 3 scales-up from scenes to systems. Featuring a wide range of speakers and daily concert presentations, “What is Sound Design?” invites sonic artists, musicians, designers, scientists, engineers, theorists, composers, improvisers, performers, theatre sound specialists, directors, film makers, computer-games players and developers, graphic designers, historians, technologists, archaeologists, architects, acousticians, geographers and industrial designers to explore sound in terms pertinent to us all. Day 2 features a presentation which relates ideas explored in the “Rorschach Audio” project to the theme of “sound art as mainstream cultural commodity”. Day 2 features a concert by wild-life recording artist Chris Watson and expanded percussionist Christos Michalakos. Day 3 features a concert featuring Marco Donnarumma, Owen Green, Adam Linson, and “National Grid” by Disinformation. Check the website for details and registration –
http://www.soundesign.info/interviews/what-is-sound-design-symposium-at-the-university-of-edinburgh
http://digital.eca.ed.ac.uk/whatissounddesign/
“What is Sound Design?” features contributions from Joe Banks, Jamie Bullock, Pier Daniel Cornacchia, Richard Coyne, Annette Davison, Gordon Delap, Disinformation, Andy Farnell, Michael Gallagher, Ben Gillet, Owen Green, David Hendy, Adam Linson, Philippa Lovatt, Russell MacEwan, Craig Martin, Christos Michalakos, Peter Nelson, Sandra Pauletto, Jules Rawlinson, Michel Serres, Garry Taylor, Chris Watson, Simon Waters and Sean Williams, is organised by Martin Parker, Varun Nair and Owen Green, and generously supported by The Edinburgh College of Art at The University of Edinburgh and by New Media Scotland.
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